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Historic paint medium, based on Austrian larch turpentine (also called Venice Turpentine) combined with dammar resin and linseed stand oil. Larch or Venice turpentine adds a wonderful gloss, almost enamel-like, to oil paints. This Balsam resin glaze medium can be added to your oil colours to enhance the depth, gloss and lustre of your paints. It smells wonderful! Dammar Resin, Austrian Larch Turpentine, Linseed Stand oil, Double rectified turpentine Recommendation: Add 5-10% to your neat oil colour as required Learn More

Apply 2 coats. The first coat may be applied 25% diluted with water to increase flow and coverage if required. Apply a second coat once the first coat is touch dry (approx.. 1 hour). This product may be applied to linen, wood, MDF and other supports to produce a strong, flexible, permanent, highly pigmented white ground. Suitable for as a ground for both acrylic and oil paint. Learn More

Michael Harding's new range of Professional Watercolours are formulated with the highest pigment concentration possible. A comprehensive range of 136 colours, including historical colours such as Lapis Lazuli and Rose Madder. These watercolours have impressive colour strength, vibrancy, clarity, and longevity. Learn More

Surface texture provides a very definite paint-gripping “tooth” with minimum paint absorption, a perfect support for painting with most media including oils and acrylics.
These panels are double-primed just north of Atlanta, Georgia, with an acid-free acrylic (universal) titanium gesso. The sides are completely turned under and glued to prevent fraying and separation.

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This traditional ‘gum strip’ tape is ideal for stretching paper prior to painting and for backing picture frames. It is fully repositionable when wet and very able to withstand full saturation. Learn More

Dylon Pre Dye

Dylon Pre-Dye removes colour from fabric so that it is suitable for dyeing to a lighter colour. Will treat all natural fabrics and nylon.

NOT suitable for wool or silk, polyester, acetate, acrylics or fabrics with special finishes.

Formulated for use in automatic front loading washing machines.

IMPORTANT – One box will treat up to 2.5kg of fabric – this is much more than a box of Machine Dye. If buying Machine Dyes as well, you only need one box of Pre-Dye for every 4 or 5 boxes of Machine Dye.

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Its one of the great liberating ideas of modern art that everyone is capable of making art. But all too often a mechanical education stifles the creative impulse anxiety and represses the imagination. ART RULES! offers a completely new key to enjoying and understanding art by showing how it is made. What is modern art and how does it work? ART RULES! gives you answers. It is an education and an inspiration. There is nothing like it.

With works by Sir Peter Blake, Susan Hiller, Eduardo Paolozzi, Robert Rauschenberg, Ed Ruscha, Cornelia Parker, Kurt Schwitters and many others.

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Containing: 34 tubes 40 ml (Colours may vary)

• A1 Titanium White,
• A2 Zinc White,
• A6 Old Holland Yellow Light,
• B115 Flesh Tint,
• B10 Scheveningen Yellow Lemon,
• B124 Gamboge Lake Extra,
• C18 Scheveningen Orange,
• C133 Old Holland Red Gold Lake,
• D148 Vermilion Extra,
• B22 Scheveningen Red Light,
• C163 Alizarin Crimson Lake Extra,
• D181 Old Holland Magenta,
• C202 Dioxazine Mauve,
• C220 Old Delft Blue,
• C232 Carribean Blue,
• C241 Manganese Blue Deep,
• B37 French Ultramarine Light Extra,
• C247 Old Holland Cyan Blue,
• E250 Cobalt Blue,
• C49 Scheveningen Green Deep,
• B274 Emerald Green,
• B292 Sapgreen Lake Extra,
• B316 Naples Yellow Deep Extra,
• A53 Yellow Ochre Light,
• A56 Raw Sienna Light,
• B334 Transparent Oxide-Red Lake,
• A61 Burnt Sienna,
• A343 Flesh Ochre,
• A66 Caput Mortuum Violet (Mars),
• A70 Burnt Umber, A69 Raw Umber,
• A361 Old Holland Warm Grey Light,
• A74 Ivory Black Extra,
• 2 Bottles Of Medium, 3 Brushes, 2 Palette Cups, Charcoal and 3 Palette Knives

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