Search results for 'medium red oil'

Liquin Original is an alkyd based semi gloss medium which speeds drying, improves flow and reduces brush stroke retention.

- Halves the drying time of conventional oil colour (touch dry in 1-6 days depending on colour & film thickness).
- Resists yellowing.
- Not suitable as a varnish or final coat.

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The 5ml range consists of 88 colours and includes some of the fabulous Primatek colours that are handmade with authentic mineral pigments and Quinacridones with their pure, intense colour combining the power of staining pigments with the luminosity of the transparents. They also have the more traditional favourites. Learn More

Pre-stretched Old Holland / Claessens Oil Primed Medium-Coarse Linen. 22mm deep. Learn More

Galkyd Lite thins oil colors and increases transparency and gloss. When used in moderation with oil colors, Galkyd Lite will retain brushstrokes. Galkyd Lite is more fluid and less glossy compared to Galkyd. Thin layers will be touch-dry in 24 to 30 hours. Learn More

Robert Gamblin started making artists' oil paints in 1980. Since then he has built a reputation as both an innovative and imaginative maker of some of the best oils on the market today. As well as usual single pigment colours you would expect, the range also includes an interesting selection of neutral greys, beautiful metallics and the truly innovative Radiant range of pastel colours. Combining science and artistry, Gamblin paints are truly exceptional.

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Robert Gamblin started making artists' oil paints in 1980. Since then he has built a reputation as both an innovative and imaginative maker of some of the best oils on the market today. As well as usual single pigment colours you would expect, the range also includes an interesting selection of neutral greys, beautiful metallics and the truly innovative Radiant range of pastel colours. Combining science and artistry, Gamblin paints are truly exceptional.

MULTI-BUY DISCOUNT
Buy any five tubes of 37ml Gamblin Oils and get 10% discount.

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Belgian Medium Acrylic Primed Linen Learn More

Extremely soft, highly pigmented oil bars with excellent handling properties. Compatible with conventional oils and mediums. Handmade using only pure natural waxes, linseed oil and pigment. Learn More

Old Holland range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium we use for our oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality. Learn More

Old Holland range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium we use for our oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

MULTI-BUY DISCOUNT
Buy any five tubes of 60ml Old Holland  and get 5% discount.

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Old Holland range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium we use for our oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

MULTI-BUY DISCOUNT
Buy any five tubes of 40ml Old Holland and get 5% discount.

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Fredrix Archival Acrylic Primed Linen Canvas Board is a professional grade, archival painting surface with medium texture canvas mounted on an acid free board. Acrylic primed 100% Belgian linen Rigid, non-warping hardboard core For oil and acrylic paints Acid free base board for long life Learn More

Fredrix Archival Acrylic Primed Linen Canvas Board is a professional grade, archival painting surface with medium texture canvas mounted on an acid free board. Oil priming by hand 100% Belgian linen Rigid, non-warping hardboard core For oil paint only Acid free base board for long life Learn More

Schmincke PRIMAcryl® PROFESSIONAL Heavy Body acrylic has been completely revamped. Sustainability, reducing the CO2 footprint and further improving and expanding the colour range were the main drivers. A new, innovative binder was chosen - largely made from recycled raw materials - that is free of microplastics. The pigmentation of the existing colours has been optimised and new colours have been added to the range. Thus, in addition to the existing cadmium colours, you can now choose cadmium-free alternatives that are almost identical in colour. And with the exception of 792 Ivory black, no animal ingredients are used. The consistency of the paint is still buttery - heavy body. And there is almost no colour-shift - all colours dry as they come out of the tube or pot. Learn More