Search results for 'medium red oil colour'

Schmincke PRIMAcryl® PROFESSIONAL Heavy Body acrylic has been completely revamped. Sustainability, reducing the CO2 footprint and further improving and expanding the colour range were the main drivers. A new, innovative binder was chosen - largely made from recycled raw materials - that is free of microplastics. The pigmentation of the existing colours has been optimised and new colours have been added to the range. Thus, in addition to the existing cadmium colours, you can now choose cadmium-free alternatives that are almost identical in colour. And with the exception of 792 Ivory black, no animal ingredients are used. The consistency of the paint is still buttery - heavy body. And there is almost no colour-shift - all colours dry as they come out of the tube or pot. Learn More

Historic paint medium, based on Austrian larch turpentine (also called Venice Turpentine) combined with dammar resin and linseed stand oil. Larch or Venice turpentine adds a wonderful gloss, almost enamel-like, to oil paints. This Balsam resin glaze medium can be added to your oil colours to enhance the depth, gloss and lustre of your paints. It smells wonderful! Dammar Resin, Austrian Larch Turpentine, Linseed Stand oil, Double rectified turpentine Recommendation: Add 5-10% to your neat oil colour as required Learn More

Oleo Resin Medium is a historic glaze medium based on light coloured Canada balsam fused with dammar resin and linseed stand oil. This versatile medium provides high gloss levels while imparting depth to paint films. This is a light sensitive product so store in a cool dark place Canada Balsam, one of the ingredients in this oil painting medium, a turpentine made from the resin of the Balsam fir tree used in oil painting to achieve a glow and encourage fusion. Dammar resin, Canada Balsam, Linseed stand oil and Double rectified turpentine Recommendation: Add 5-10% to neat oil colour as required Learn More

Traditional glaze medium which includes a small portion of siccative to aid drying. It is designed to create gloss and depth within your oil paint layers. Made by dissolving dammar crystals into the finest Portuguese maritime turpentine which is then combined with stand oil. Dammar Glaze Medium is known for its speedy drying time of oil colours; use with slower-drying colours. Dammar resin, linseed stand oil, Double rectified turpentine and Cobalt Siccative 2% This is a light-sensitive product so store in a cool dark place Recommendation: Add 10-20% to neat oil colour as required Learn More

Lascaux Studio Original is an artists’ quality acrylic paint. This exceptional quality acrylic is highly versatile and suitable for all painting techniques. The paint is highly pigmented, lightfast, non-ageing and non-yellowing with very good coating flexibility and water-resistant when dry. The colour range is optimised to give the same working qualities for each colour. So all colours have the same viscosity, opacity and dry to the same semi-gloss sheen. This uniform covering power is ideal for effortless creation of monochrome surfaces. There is also minimal colour shift from wet to dry.

MULTI-BUY DISCOUNT
Buy any five tubs of 85ml Lascaux Studio Acrylic and get 10% discount.

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Contains silica driers. May darken if cap is left off bottle. If this happens replace lid, leave overnight and the colour will be restored with no longterm ill effects. Learn More

Liquin Original is an alkyd based semi gloss medium which speeds drying, improves flow and reduces brush stroke retention.

- Halves the drying time of conventional oil colour (touch dry in 1-6 days depending on colour & film thickness).
- Resists yellowing.
- Not suitable as a varnish or final coat.

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The 5ml range consists of 88 colours and includes some of the fabulous Primatek colours that are handmade with authentic mineral pigments and Quinacridones with their pure, intense colour combining the power of staining pigments with the luminosity of the transparents. They also have the more traditional favourites. Learn More

Old Holland range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium we use for our oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality. Learn More

Old Holland range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium we use for our oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

MULTI-BUY DISCOUNT
Buy any five tubes of 60ml Old Holland  and get 5% discount.

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Old Holland range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium we use for our oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

MULTI-BUY DISCOUNT
Buy any five tubes of 40ml Old Holland and get 5% discount.

Learn More

Schmincke PRIMAcryl® PROFESSIONAL Heavy Body acrylic has been completely revamped. Sustainability, reducing the CO2 footprint and further improving and expanding the colour range were the main drivers. A new, innovative binder was chosen - largely made from recycled raw materials - that is free of microplastics. The pigmentation of the existing colours has been optimised and new colours have been added to the range. Thus, in addition to the existing cadmium colours, you can now choose cadmium-free alternatives that are almost identical in colour. And with the exception of 792 Ivory black, no animal ingredients are used. The consistency of the paint is still buttery - heavy body. And there is almost no colour-shift - all colours dry as they come out of the tube or pot. Learn More

Schmincke PRIMAcryl® PROFESSIONAL Heavy Body acrylic has been completely revamped. Sustainability, reducing the CO2 footprint and further improving and expanding the colour range were the main drivers. A new, innovative binder was chosen - largely made from recycled raw materials - that is free of microplastics. The pigmentation of the existing colours has been optimised and new colours have been added to the range. Thus, in addition to the existing cadmium colours, you can now choose cadmium-free alternatives that are almost identical in colour. And with the exception of 792 Ivory black, no animal ingredients are used. The consistency of the paint is still buttery - heavy body. And there is almost no colour-shift - all colours dry as they come out of the tube or pot. Learn More

Lascaux Studio Original is an artists’ quality acrylic paint. This exceptional quality acrylic is highly versatile and suitable for all painting techniques. The paint is highly pigmented, lightfast, non-ageing and non-yellowing with very good coating flexibility and water-resistant when dry. The colour range is optimised to give the same working qualities for each colour. So all colours have the same viscosity, opacity and dry to the same semi-gloss sheen. This uniform covering power is ideal for effortless creation of monochrome surfaces. There is also minimal colour shift from wet to dry. Learn More