Search results for: 'LINSEED'

Cranfield Spectrum Studio Oil 1 L

Starting at: £74.20

Cranfield Spectrum Studio Oil Colours are made from the finest pigments for durability and performance. They are formulated for the large volume user, yet retain very good strength at an economical price. Used by many professional painters and are ideal for colleges and schools. They are ground in a refined linseed oil and the same pigments are used in their manufacture as in an artists’ quality paint. Learn More

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Old Holland Oil 225ml

Starting at: £33.20

Old Holland range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium we use for our oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality. Learn More

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R & F Oil Sticks 118ml

Starting at: £40.20

Extremely soft, highly pigmented oil bars with excellent handling properties. Compatible with conventional oils and mediums. Handmade using only pure natural waxes, linseed oil and pigment. Learn More

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Gamblin Ground

Starting at: £26.40

Out of stock

Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Formulated from alkyd resin, titanium dioxide, and barium sulfate, Gamblin Ground makes canvas and linen stiffer than acrylic “gesso” and more flexible than traditional oil primers. Barium sulfate gives Gamblin Ground its tooth. Titanium dioxide gives Gamblin Ground its opacity. Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. More coats can be added for smoother painting surfaces. Because alkyd resin is used instead of linseed oil as the binder, Gamblin Ground is more flexible and dries more quickly than lead/linseed oil grounds. Lead/linseed oil grounds must dry for six months and Gamblin Ground is ready for paint application within a week. Learn More

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Roberson 1810 Oil Medium

Starting at: £29.70

Traditional high oil "fat" painting medium, made using the highest quality materials. This premium all round medium can be mixed with oil colour in any ratio. Will retain colour strength, is resisiant to bleeding yet has good flow release and is ideal for blending. When dry, has an enamble-like quality. Stand oil/Cold-pressed Linseed oil/Canada Balsam/Rectified Spirit of Turpentine/Beeswax/Driers. Clean tools in white spirit. Do not use as a varnish, always mix with oil colour. Learn More

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Michael Harding Oleo Resin Glaze Medium

Starting at: £23.80

Oleo Resin Medium is a historic glaze medium based on light coloured Canada balsam fused with dammar resin and linseed stand oil. This versatile medium provides high gloss levels while imparting depth to paint films. This is a light sensitive product so store in a cool dark place Canada Balsam, one of the ingredients in this oil painting medium, a turpentine made from the resin of the Balsam fir tree used in oil painting to achieve a glow and encourage fusion. Dammar resin, Canada Balsam, Linseed stand oil and Double rectified turpentine Recommendation: Add 5-10% to neat oil colour as required Learn More

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Michael Harding Balsam Resin Glaze Medium

Starting at: £26.70

Historic paint medium, based on Austrian larch turpentine (also called Venice Turpentine) combined with dammar resin and linseed stand oil. Larch or Venice turpentine adds a wonderful gloss, almost enamel-like, to oil paints. This Balsam resin glaze medium can be added to your oil colours to enhance the depth, gloss and lustre of your paints. It smells wonderful! Dammar Resin, Austrian Larch Turpentine, Linseed Stand oil, Double rectified turpentine Recommendation: Add 5-10% to your neat oil colour as required Learn More

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Museo Rome H-Frame Studio Easel

£192.00

Out of stock

Museo Rome Easel is made from beech treated with linseed oil. It is delivered ready to use and weighs approx. 10.5kg. It has a minimum height of 1.5m and a maximum of 2.3m. Its legs measure 1.25m. It is intended for use with canvases up to 1.20m. The Rome Easel has 17-step height adjustment from 22cm to 104cm, and a variable tilt adjusted by 2 wooden screws. There is an 18cm wide upper canvas holder, a groove for holding canvas boards, and a 60cm x 7cm lower canvas holder with a 60cm x 9cm shelf. Delivered flat-pack and easy to assemble. Learn More

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