Primers, Mediums & Varnishes
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Lascaux Acrylic Sizing 2005
Starting at: £28.20
Seals substrates for better primer adhesion. Learn More -
Brodie & Middleton Rabbit Skin Glue Size
Starting at: £13.00
Out of stock
Rabbit skin glue is a good quality hide glue used for sizing. This product forms a traditional part of recipes for preparing canvases for oil priming and making gesso. As a binder for pigment it makes distemper, often used as scenic paint. Rabbit Skin Glue do not contain any preservatives. Learn More -
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Roberson Prepared Rabbit Skin Glue Size
Starting at: £21.50
Made-up size ready to warm & use. Learn More -
Cranfield Spectrum Acrylic Clear Canvas Sealer
Starting at: £13.10
Clear acrylic emulsion ‘size’ for using instead of rabbit skin glue. Seals the surface prior to priming. Learn More -
Robersons Universal Canvas Sealer
Starting at: £19.20
This is to be used where a transparent primer is required. No other size required. Can also be used under conventional acrylic primer, when solvent/oil based washes are used, to prevent penetration of the primer. Learn More -
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Brodie & Middleton Whiting
Starting at: £8.70
English calcium carbonate used for gesso etc. Learn More -
Brodie & Middleton Titanium White Pigment
Starting at: £11.40
This is an artists grade superfine pigment with a cool, bright white colour. It can be used to make paint or added to traditional gesso to increase whiteness. Learn More -
Russell & Chapple Acrylic Primer
Starting at: £13.60
A good value acrylic primer for canvas and other supports. Suitable for oil or acrylic based colours. Learn More -
Roberson Acrylic Gesso Primer
Starting at: £21.40
Robersons manufacture a range of primers based on high quality acrylic resins. Learn More -
Michael Harding Non-Absorbent Acrylic Primer
Starting at: £21.90
Water-based white acrylic primer specifically designed for oil painting. Although this product is non-absorbing it will provide a strong bond to the layers of paint applied with just enough tooth so as not to be greasy in feel. Learn More -
Lascaux Structura 2052
Starting at: £33.40
Fine grained absorbent primer that is extra light, low shrinkage and elastic. Can be sanded to a smooth finish. Dries to a velvety bright white surface. Learn More -
Michael Harding Non-Absorbent Acrylic Primer Colours
Starting at: £21.90
Apply 2 coats. The first coat may be applied 25% diluted with water to increase flow and coverage if required. Apply a second coat once the first coat is touch dry (approx.. 1 hour). This product may be applied to linen, wood, MDF and other supports to produce a strong, flexible, permanent, highly pigmented white ground. Suitable for as a ground for both acrylic and oil paint. Learn More -
Lascaux Transparent Gesso 2021
Starting at: £30.40
This pigment-free gesso dries to a perfectly clear surface and is particularly suitable for glazing techniques. Learn More -
Lascaux Gesso Black 2022
Starting at: £30.40
This deep black, concentrated gesso gives opaque colours a particularly brilliant appearance. Learn More -
Roberson Acrylic Primer
Starting at: £22.00
Robersons manufacture a range of primers based on high quality acrylic resins. Learn More -
Cranfield Spectrum Acrylic Primer
Starting at: £13.90
Can be applied to most surfaces. Gives suitable ground for oil or acrylic based colours. Learn More -
Cranfield Spectrum Acrylic Gesso Primer
Starting at: £14.40
One coat finish. This flexible brilliant white primer gives a matt, slightly textured surface. A suitable ground for oil or acrylic based colours. Learn More -
Golden Gesso
Starting at: £20.80
Excellent acrylic ground for both oil and acrylic paints. Learn More -
Lascaux Primer 2010
Starting at: £35.70
Smooth white primer for oil, acrylic and tempera painting. Learn More -
Lascaux Gesso 2020
Starting at: £30.40
Semi absorbent white ground with tooth for oil, acrylic and tempera painting. Learn More -
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Golden White Absorbent Ground
Starting at: £24.00
Paper-like surface for watercolour effects. Learn More -
Golden Hard Sandable Gesso
Starting at: £24.00
Sands to a smooth surface. Rigid substrates only. Learn More -
Cranfield Spectrum Alkyd Primer
Starting at: £16.90
A quick drying multi-purpose thixotropic oil primer for use on all types of oil painting supports. Learn More -
Roberson Oil Primer
Starting at: £23.30
Roberson's Traditional Oil Primer is made in small batches using the highest quality materials. Can be used on canvas or wood. Two to three coats will produce a slippery surface to enable oil colour to be moved around. Canvas should be sized before oil primer is applied using Roberson's Prepared Rabin Skin Glue. Touch dry in approx. 6h. hard dry in 24h. Paint may set in tin, shake tin and stir well before use, dilute with white spirit if desired. Prior to painting , primed canvases should be kept in daylight conditions to prevent over yellowing. Clean brushes in White Spirit.
Learn More -
Gamblin Ground
Starting at: £22.70
Out of stock
Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Formulated from alkyd resin, titanium dioxide, and barium sulfate, Gamblin Ground makes canvas and linen stiffer than acrylic “gesso” and more flexible than traditional oil primers. Barium sulfate gives Gamblin Ground its tooth. Titanium dioxide gives Gamblin Ground its opacity. Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. More coats can be added for smoother painting surfaces. Because alkyd resin is used instead of linseed oil as the binder, Gamblin Ground is more flexible and dries more quickly than lead/linseed oil grounds. Lead/linseed oil grounds must dry for six months and Gamblin Ground is ready for paint application within a week. Learn More -
Robersons Thixotropic Alkyd Primer
Starting at: £20.70
Provides an opaque gesso-like surface. Learn More -
Cranfield Spectrum Acrylic Copolymer Emulsion Medium
Starting at: £37.70
100% acrylic resin, used to extend acrylic colours. It can be used with pigments to make your own acrylic paint. Learn More -
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Lascaux Screenprinting Paste 2049
£42.40Lascaux Screenprinting Paste was designed to be used in conjunction with Lascaux Colours as part of a non-toxic, waterbased programme for screenprinting that would not only meet the demands of health and safety regulations but also offers a high standard of reproduction and an ease of use. Furthermore, all the qualities of the existing Lascaux colour ranges can be exploited: a wide range of colours, intensity of hues, colour permanence etc. The additional range of mediums and varnishes, further lends surprising versatility to the system. Learn More -
Lascaux Screen Filler 18010
£47.70The Lascaux Screen filler and Lascaux Screen painting fluid may be used for painting directly on the mesh as part of a waterbased screenprinting system. These products work harmoniously with Lascaux Screenprinting paste and the Lascaux Colours. Learn More -
Lascaux Tusche Water-Soluble 18023
£36.50Out of stock
This viscous tusche can be painted in a smooth even layer which can be scratched away to create delicate non-printing lines. It can also be used for a broad range of painted marks, offsetting and pattern-making. The diluted tusche dries to create granular washes that are full of character. Dry marks can be re-wet and altered if required. Learn More -
Lascaux Set ARE 3991
£103.40Lascaux ARE Etching Set 3991 Containing one 85ml bottle each of: 2090 Lascaux Hard Resist 2091 Lascaux Plate-backing Resist 2092 Lascaux Stop-out Resist 2093 Lascaux Soft Resist 2094 Lascaux Wash Resist 2095 Lascaux Aquatint Spray Resist 2096 Lascaux Black coating for Hard Resist 2097 Lascaux White coating for Hard Resist 2098 Lascaux Remover Learn More -
Golden Soft Gel - Gloss, Satin, Matte
Starting at: £21.90
Golden Soft Gel - Gloss, Satin, Matte Learn More -
Golden Regular Gel - Gloss, Satin, Matte
Starting at: £21.90
Golden Regular Gel - Gloss, Satin, Matte Learn More -
Golden Extra Heavy Gel - Gloss, Satin, Matte
Starting at: £21.40
Golden Extra Heavy Gel - Gloss, Satin, Matte Learn More -
Golden Heavy Gel - Gloss, Satin, Matte
Starting at: £21.90
Golden Heavy Gel - Gloss, Satin, Matte Learn More -
Golden Extra Heavy Gel / Molding Paste
Starting at: £21.90
Golden Extra Heavy Gel / Molding Paste Learn More -
Golden Gloss Medium
Starting at: £21.90
Golden Gloss Medium is a low viscosity gloss acrylic medium for extending liquid acrylic and glazing. Learn More -
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Golden Super Matte Medium
Starting at: £18.20
GOLDEN Super Matte Medium is a pourable medium useful for reducing gloss. Because of its high level of matting agents, it will lower sheen of another product with a minimal addition, thereby changing other paint attributes the least, such as colour strength and viscosity. Super Matte Medium should always be blended with other acrylic paints or mediums; as this product is not intended to be used by itself. Learn More -
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Golden Glazing Medium Gloss & Satin
Starting at: £16.50
Golden Glazing Medium Gloss & Satin Learn More -
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Golden High Solid Gel - Gloss & Matte
Starting at: £20.50
Out of stock
Golden High Solid Gel - Gloss & Matte Learn More -
Golden Molding Paste - Light, Hard, Standard
Starting at: £21.90
Golden Molding Paste - Light, Hard, Standard Learn More -
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Golden Phosphorescent Medium
Starting at: £65.50
GOLDEN Phosphorescent Green is a water-based acrylic paint that can be applied onto any surface prepared to accept acrylic paints. Its unique pigment is characterized by the ability to absorb and store natural and artificial light. When the light source is removed (i.e.: when the lights are turned off or the painted object is taken into a dark area), a bright, greenish glow is emitted for up to 15 minutes. The glow steadily diminishes as the stored light energy is released.
Learn More -
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Golden Porcelain Restoration Glaze
Starting at: £29.40
Out of stock
Golden Porcelain Restoration Glaze -
This product is currently unavailable for the UK and European markets. We are hoping that it will be reformulated and become available again towards the end of 2021.
Learn More -
Roberson Glaze Medium
Starting at: £8.90
Mix with tube oils or pigment to improve flow and translucency. For thin glazes, fine detail and smooth brushwork. Turps, Damar Resin, Stand Oil and Cobalt Dryers. Learn More -
Michael Harding Oil Paint Medium
Starting at: £9.40
Designed to increase the flow of your oil paints. This paint medium will also increase the gloss and transparency of your colours which will add to the depth and beauty of your pigment colour. The inclusion of Linseed stand oil in the recipe of this oil based medium prevents the “yellowing” of your paint film.
This medium is a linseed stand oil, turpentine, formulation that prevents yellowing of paint film.
Recommendation: Add 10-20% to your oil colour as you require
Learn More -
Michael Harding Damar Glaze Medium
Starting at: £10.80
Traditional glaze medium which includes a small portion of siccative to aid drying. It is designed to create gloss and depth within your oil paint layers. Made by dissolving dammar crystals into the finest Portuguese maritime turpentine which is then combined with stand oil. Dammar Glaze Medium is known for its speedy drying time of oil colours; use with slower-drying colours. Dammar resin, linseed stand oil, Double rectified turpentine and Cobalt Siccative 2% This is a light-sensitive product so store in a cool dark place Recommendation: Add 10-20% to neat oil colour as required Learn More -
Michael Harding Resin Oil Wax Medium
Starting at: £11.10
Resin Oil Wax Medium is a soft painting paste, derived from pure bleached beeswax then mixed with dammar resin and linseed stand oil. This popular medium creates a satin sheen and gentle impasto in paint layers. Settling of the medium may occur so allow the jar to stand in hot water and stir contents until dissolved. This is a light sensitive product – store in a cool dark place away from direct sunlight. Bleached Beeswax, Dammar Resin, Linseed stand oil and double rectified turpentine Recommendation: Add 5-10% to your near oil colours as required Learn More -
Michael Harding Oleo Resin Glaze Medium
Starting at: £24.50
Oleo Resin Medium is a historic glaze medium based on light coloured Canada balsam fused with dammar resin and linseed stand oil. This versatile medium provides high gloss levels while imparting depth to paint films. This is a light sensitive product so store in a cool dark place Canada Balsam, one of the ingredients in this oil painting medium, a turpentine made from the resin of the Balsam fir tree used in oil painting to achieve a glow and encourage fusion. Dammar resin, Canada Balsam, Linseed stand oil and Double rectified turpentine Recommendation: Add 5-10% to neat oil colour as required Learn More -
Michael Harding Balsam Resin Glaze Medium
Starting at: £27.60
Historic paint medium, based on Austrian larch turpentine (also called Venice Turpentine) combined with dammar resin and linseed stand oil. Larch or Venice turpentine adds a wonderful gloss, almost enamel-like, to oil paints. This Balsam resin glaze medium can be added to your oil colours to enhance the depth, gloss and lustre of your paints. It smells wonderful! Dammar Resin, Austrian Larch Turpentine, Linseed Stand oil, Double rectified turpentine Recommendation: Add 5-10% to your neat oil colour as required Learn More -
Michael Harding Oleo Impasto Medium
Starting at: £9.40
Out of stock
Oleo Impasto Medium is a gel made from fumed silica and linseed oil which imparts great luminosity, particularly with transparent colours. It has an average drying speed and increases the transparency of oil colours. Pigment can be added and ground to make your own oil paints. It has a pleasant linseed oil smell It can be added with a brush or knife, in varying amounts, to achieve extra body. Learn More -
Roberson CRP Picture Cleaner
Starting at: £17.80
Out of stock
Roberson CRP oil painting cleaning fluid is designed to clean and protect oil paintings. This oil painting restoration product can be used by anyone to remove dirt and freshen oil painting. You don’t have to be a professional art restorer and have years of restoration experience to use it. Learn More -
Michael Harding Miracle Medium
Starting at: £12.40
Miracle Medium is a solvent-free, odourless, vegan, and plant-based medium that serves as an alternative to traditional turpentine. This medium offers artists a natural and sustainable option for thinning oil paints and cleaning brushes without the use of harsh chemicals or toxic fumes. Learn More -
Michael Harding Oil Paint Miracle Medium
Starting at: £13.00
Oil paint medium designed to ease flow and increase gloss, transparency, depth and beauty of the pigment colour. This medium is made using Michael Harding linseed stand oil and Miracle Medium™ formulation. Solvent free. Learn More -
Michael Harding Quick Dry Dammar Glaze Miracle Medium
Starting at: £13.00
A traditional vegan and plant-based glaze medium that helps to add depth and gloss to transparent colours. A solvent-free alternative to Dammar Glaze Medium. – Contains drier. – Incorporate into oil paint mixtures to accelerate drying times and create glazes with a glossy finish. – Ideal for achieving quick-drying layers and transparent glazes in oil paintings. Learn More -
Michael Harding Wax Resin Oil Miracle Medium
Starting at: £13.00
Plant-based soft painting paste, derived from pure bleached beeswax then mixed with dammar resin and linseed stand oil, and MH Miracle Medium™. This popular medium creates a satin sheen and gentle impasto in paint layers. – Settling of the medium may occur so allow jar to stand in hot water and stir contents until dissolved. – Blend with oil paints to create a resin-oil wax mixture, offering unique handling and textural effects. – Provides artists with the ability to alter the body and surface quality of oil paints for varied artistic expressions. Learn More -
Michael Harding Beeswax Paste Miracle Medium
Starting at: £14.90
High oil content paste based on linseed stand oil and pure bleached beeswax and Miracle Medium™. This paste increases the body of oil colour with satin-matt finish which is especially useful with opaque colours. – Utilize as a medium to impart texture and impasto effects in oil paintings. – Blend with oil paints to create textural layers and build up surface relief for added depth and visual interest. Learn More -
Roberson Beeswax in White Spirit Medium
Starting at: £27.60
A pereparation of pure beeswax in white spirit, this is used to achieve a soft sheen on your finished painting. It will retard drying, allowing you to achieve a range of effects. Learn More -
Roberson Glaze Medium Satin
Starting at: £9.50
Mix with either tube oil colour or dry pigment to increase translucency, flow. Ideal for thin glazes, fine detail and smooth brushwork. Satin finish. Learn More -
Roberson Glaze Medium Matt
Starting at: £9.50
Contains silica driers. May darken if cap is left off bottle. If this happens replace lid, leave overnight and the colour will be restored with no longterm ill effects. Learn More -
Roberson Cold Pressed Linseed Oil
Starting at: £7.00
High quality, slightly yellow oil made in the USA. Extracted without the use of heat. Increases gloss and transparency and reduces brushmarks. Highly recommended for grinding pigments. Learn More -
Roberson Alkali Refined Linseed Oil
Starting at: £13.10
Alkali refined linseed oil of pale colour increases gloss, reduces consistency and slows drying time. Learn More -
Roberson 1810 Oil Medium
Starting at: £29.70
Traditional high oil "fat" painting medium, made using the highest quality materials. This premium all round medium can be mixed with oil colour in any ratio. Will retain colour strength, is resisiant to bleeding yet has good flow release and is ideal for blending. When dry, has an enamble-like quality. Stand oil/Cold-pressed Linseed oil/Canada Balsam/Rectified Spirit of Turpentine/Beeswax/Driers. Clean tools in white spirit. Do not use as a varnish, always mix with oil colour. Learn More -
Roberson Impasto Medium
Starting at: £16.20
A crack resistant medium for impasto effects. Retains palette knife & brush strokes. To retain colour strength mix 1 part medium to 1 part oil colour. Stand oil/Damar resin/Turpentine/Bleached Beeswax. Learn More -
Roberson Stand Oil
Starting at: £10.00
Paler, more viscous oil than refined linseed oil. Slows drying. Gives tough elastic finish. Mix with turps or white spirit to help colour flow and reduce brushmarks. Learn More -
Roberson Cobalt Siccative
Starting at: £7.50
Cobalt drier in white spirit. Add sparingly to oil colours to accelerate drying. Unable to send overseas. Learn More -
Roberson White Siccative
Starting at: £7.20
Strontium based. Recommended for mixing with pale colours as it doesn't alter the colour. Add sparingly to oil colours to accelerate drying. Learn More -
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Gamblin Galkyd Lite Medium
Starting at: £12.60
Galkyd Lite thins oil colors and increases transparency and gloss. When used in moderation with oil colors, Galkyd Lite will retain brushstrokes. Galkyd Lite is more fluid and less glossy compared to Galkyd. Thin layers will be touch-dry in 24 to 30 hours. Learn More -
Gamblin Solvent-Free Fluid Medium
Starting at: £12.60
Gamblin Solvent-Free Fluid painting medium gives oil colors more flow and transparency. It has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Fluid is non-toxic and contains no Gamsol or petroleum distillates. To ensure proper drying and prevent beading-up of paint layers, Solvent-Free Fluid should be used in moderation with oil colors – no more than 25% by volume. To avoid wrinkling, apply mixtures of Solvent-Free Fluid and oil colors thinly. For underpainting, we recommend adding Gamsol to Solvent-Free Fluid. Learn More -
Gamblin Neo-Meglip Medium
Starting at: £15.40
Out of stock
Neo Megilp is a contemporary version of Maroger. This soft gel medium maintains the body of oil colors, increases transparency and flow, and imparts a smooth, silky feel. Neo Megilp dries at a moderate rate and remains workable for hours. Neo Megilp gives colors a satin gloss. Learn More -
Gamblin Cold Wax Medium
Starting at: £12.60
Cold Wax medium is made from naturally white, pure beeswax. Formulated to knife consistency, Cold Wax Medium makes oil colors thicker and more matte. Cold Wax Medium can be used to make Gamblin mediums and Gamvar more matte. It can also be applied alone as a matte varnish. Learn More -
Gamblin GALKYD GEL "G GEL" 150ml
£19.40Galkyd Gel is a stiffer gel compared to Neo Megilp that holds thicker, sharper brush-marks and dries more quickly. Galkyd Gel increases transparency of oil colours and creates impasto. Learn More -
Gamblin Solvent-Free Gel
Starting at: £6.80
Gamblin Solvent-Free Gel is the only solvent-free painting medium that supports a broad range of painting techniques with minimal compromise. Solvent-Free Gel gives colours more flow and transparency, yet holds the shape of your brushmark. Solvent-Free Gel has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Gel is non-toxic and contains no Gamsol or petroleum distillates. Learn More -
Gamblin Galkyd Slow Drying Medium - While Stocks Last
Starting at: £8.00
Galkyd Slow Dry thins oil colors and extends working time. Galkyd Slow Dry is more fluid and less glossy than Galkyd Lite. Use one part Galkyd Slow Dry to one part oil colors to paint wet-into-wet for at least a day. Learn More -
Gamblin MEDIUMS SET
£40.70Gamblin MEDIUMS SET is a handy selection of the Gamblin range of oil mediums. A great way to experiment and get started. Learn More -
Cranfield Beeswax Medium
Starting at: £20.40
A pereparation of pure beeswax in white spirit, this is used to achieve a soft sheen on your finished painting. It will retard drying, allowing you to achieve a range of effects. Learn More -
Cranfield Spectraflow Medium
Starting at: £18.80
This free flowing, slightly thixotropic medium is alkyd based and will not increase gloss when added to oil colours. It is quick drying. Learn More -
Cranfield Spectragel Medium Matt
Starting at: £20.90
This thixotropic alkyd is a medium designed to mix with oil colours, retaining the body of the paint. Matt Spectragel is a quick drying, clear, weather-resistant medium based on synthetic resin. Ideal for extending colours, Matt Spectragel Medium will retain structure and dry to a matt finish. Learn More -
Cranfield Spectragel Medium
Starting at: £18.80
This is a thixotropic alkyd medium designed to mix with oil colours, retaining the body of the paint. Spectragel is a gloss medium and is quick drying. It is a clear medium based on a synthetic resin that improves the weather resistance of oil colours; ideal for glazing and extending colours while retaining gloss and structure of paint. Learn More -
Cranfield Alkaflow Medium
Starting at: £18.20
A free flowing, alkyd based, gloss medium which may be used to thin oil paints. Alkaflow helps to remove brush strokes and give a smooth gloss finish. It is quick drying. Learn More -
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Winsor & Newton Liquin Original
Starting at: £9.00
Liquin Original is an alkyd based semi gloss medium which speeds drying, improves flow and reduces brush stroke retention.
- Halves the drying time of conventional oil colour (touch dry in 1-6 days depending on colour & film thickness).
Learn More
- Resists yellowing.
- Not suitable as a varnish or final coat. -
Zest-It Clear Painting Medium
Starting at: £7.20
Out of stock
Improves flow of oil paint and reduce brush strokes. Suitable for wet-on-wet techniques. Especially suitable for blending and glazing without varnish.
*WHILE STOCK LAST*
Learn More -
Gamblin Gamsol Mineral Sprit
Starting at: £9.30
Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Learn More -
Roberson Gum Turpentine
Starting at: £14.00
Less refined than rectified spirit of turpentine, this is a classic artists' quality turpentine. The natural gums found in Gum Turpentine mean that it is often preferred as constituent of painting mediums. Learn More -
Roberson Studio Safe Citrus Low Odour Solvent
Starting at: £10.90
Roberson Studio Safe Solvent can be used for brush cleaning and the thinning of paint as a non-volatile solvent alternative to turpentine and white spirit, it has an orange fragrance. Learn More -
Roberson Rectified Turpentine
Starting at: £14.00
Roberson Rectified Turpentine Use for thinning oil paints, solvent based mediums and varnishes Learn More -
Winsor & Newton Sansodor
Starting at: £6.70
Sansodor is a low odour solvent which evaporates slowly, increases blending time and is suitable for thinning oil colours and cleaning brushes.
Suitable for oil & alkyd colour. Well suited to artists who prefer to avoid exposure to turpentine.
Learn More -
Zest-It Oil Paint Dilutant and Brush Cleaner
Starting at: £8.50
Out of stock
Zest-it Oil Paint Dilutant and Brush Cleaner is a solvent primarily for use by oil painters. It is made from an Aliphatic Hydrocarbon and pure food grade Citrus Oil. It has a neutral pH value and contains no CFCs or Aromatics and has low VOCs. It is a clear, colourless liquid which has a pleasant 'orangey citrus' smell, is inherently biodegradable and evaporates without leaving any residue.
* WHILE STOCK LASTS* For similar products please refer to Gamblin Gamsol Mineral Sprit and Roberson Studio Safe Citrus Low Odour Solvent
Learn More -
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Brodie & Middleton Methylated Spirit
Starting at: £3.70
Out of stock
Brodie & Middleton Methylated Spirit Learn More -
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Lascaux Fixative Aerosol Spray 2070 300ml
£18.70Out of stock
Spray varnish with the same properties as the Aerosol Varnish, but remains porous after application. Learn More -
Roberson Retouching Varnish
Starting at: £8.00
Roberson Retouching Varnish - Low strength damar resin varnish. Learn More -
Roberson Picture Varnish Satin
Starting at: £8.50
Roberson Picture Varnish Satin - Micro-crystalline wax & ketone resin Learn More -
Roberson Picture Varnish Gloss
Starting at: £8.50
Roberson Picture Varnish Gloss - High grade ketone resin Learn More -
Roberson Damar Varnish Low Gloss
Starting at: £8.60
Roberson Damar Varnish Low Gloss - Added wax for low sheen. Learn More -
Gamblin Gamvar Varnish
Starting at: £15.20
Gamvar Picture Varnish saturates colors in your painting and gives the painting a unified and protective surface.
Learn More
Developed in collaboration with the National Gallery of Art, Gamvar goes on water-clear, stays water-clear and can be easily and safely removed with Gamsol.
Using Gamsol as its solvent, Gamvar is virtually odorless and ready to apply.
Brush apply. Do not spray. All Gamvar can be applied when the thickest areas of your painting are thoroughly dry and firm to the touch.
Please visit Gamblin's Video Demos page for additional information. -
Roberson A81 Varnish
Starting at: £8.50
A reversible picture varnish suitable for both specialist conservation work and general picture varnish needs. Non-yellowing, dries to a gloss finish. Learn More -
Roberson Exhibition Varnish
Starting at: £8.00
Apply to touch dry paintings as a temporary exhibition varnish. After 6 months a final picture varnish can be applied with no need to remove Ketone resin/white spirit. Unable to send overseas. Learn More -
Roberson Crystal Shellac Varnish
Starting at: £10.60
Clear synthetic varnish with superior clarity. Does not discolour gold and silver leaf. Use as a protective coating over gilded surfaces to prevent tarnishing and for sealing gesso prior to gilding. Learn More -
Brodie and Middleton Shellac Varnish
Starting at: £12.90
Fast drying varnish. May also be used to seal absorbent surfaces prior to sizing. Clean brushes with methylated spirits. Contains genuine Shellac resin. Learn More -
Roberson Picture Varnish Matt
Starting at: £8.50
Roberson Picture Varnish Matt - Micro-crystalline wax in white spirit Learn More -
Golden MSA Varnish Satin
Starting at: £19.30
Conservation grade acrylic resin dissolved in solvent with UV filters. Covers oil, acrylic and every other media. Removable. Learn More -
Golden MSA Varnish Matte
Starting at: £19.30
Conservation grade acrylic resin dissolved in solvent with UV filters. Covers oil, acrylic and every other media. Removable. Learn More -
Golden MSA Varnish Gloss
Starting at: £19.30
Conservation grade acrylic resin dissolved in solvent with UV filters. Covers oil, acrylic and every other media. Removable. Learn More -
Golden MSA Archival Varnish Spray
Starting at: £34.50
Golden MSA Varnish Aerosol 400 ml - Gloss, Satin, Matte Learn More -
Lascaux Transparent Varnish 3 Semi Gloss + UV Protect 2065
Starting at: £25.80
Liquid acrylic emulsion varnish with good transparency for acrylic paints, digital prints & gold leaf. Learn More -
Lascaux Transparent Varnish 1, 2, 3 - Gloss, Matt, Semi Gloss
Starting at: £30.30
Spray varnish creates water resistant, non-yellowing, flexible seal plus UV protection. Removable. Lascaux Transparent Varnish 1 Gloss + UV Protect 2072 Aerosol Spray 400ml Lascaux Transparent Varnish 2 Matt + UV Protect 2073 Aerosol Spray 400ml Lascaux Transparent Varnish 3 Semi Gloss + UV Protect 2074 Aerosol Spray 400ml Learn More -
Lascaux Transparent Varnish 1 Gloss + UV Protect 2062
Starting at: £25.80
Liquid acrylic emulsion varnish with good transparency for acrylic paints, digital prints & gold leaf. Learn More -
Lascaux Transparent Varnish 2 Matt + UV Protect 2063
Starting at: £25.80
Liquid acrylic emulsion varnish with good transparency for acrylic paints, digital prints & gold leaf. Learn More -
Golden Waterborne Acrylic Varnish Gloss
Starting at: £14.50
GOLDEN's new Waterbourne Varnish replaces the old Golden Polymer Varnish. Waterbourne Varnish provides a protective layer that resists the retention of dirt and dust. It also contains Ultra Violet Light Stabilizers (UVLS) for protection against sunlight. To be used only on interior acrylic paintings and can be thinned and cleaned up with water. For external use Golden MSA varnish is recommended. Learn More -
Golden Waterborne Acrylic Varnish Matt
Starting at: £14.50
Out of stock
Golden's new Waterbourne Varnish replaces the old Golden Polymer Varnish. Waterbourne Varnish provides a protective layer that resists the retention of dirt and dust. It also contains Ultra Violet Light Stabilizers (UVLS) for protection against sunlight. To be used only on interior acrylic paintings and can be thinned and cleaned up with water. For external use Golden MSA varnish is recommended. Learn More -
Golden Polymer Varnish Satin
Starting at: £13.50
Out of stock
Acrylic emulsion varnish with UV filters for acrylic paints. Learn More -
Pinty Plus Spray Art Gesso 400ml White
£12.40Multi-purpose artists' gesso in a spray.
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Apply Gesso to any absorbent surface and it acts like a filler and sealer
Good adhesion to difficult-to-coat, absorbent surfaces.
Provides a smooth surface to work on with a convenient spray application.
Once dry, it can be painted immediately.
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