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Michael Harding Balsam Resin Glaze Medium
Starting at: £26.70
Historic paint medium, based on Austrian larch turpentine (also called Venice Turpentine) combined with dammar resin and linseed stand oil. Larch or Venice turpentine adds a wonderful gloss, almost enamel-like, to oil paints. This Balsam resin glaze medium can be added to your oil colours to enhance the depth, gloss and lustre of your paints. It smells wonderful! Dammar Resin, Austrian Larch Turpentine, Linseed Stand oil, Double rectified turpentine Recommendation: Add 5-10% to your neat oil colour as required Learn More -
Michael Harding Oleo Resin Glaze Medium
Starting at: £23.80
Oleo Resin Medium is a historic glaze medium based on light coloured Canada balsam fused with dammar resin and linseed stand oil. This versatile medium provides high gloss levels while imparting depth to paint films. This is a light sensitive product so store in a cool dark place Canada Balsam, one of the ingredients in this oil painting medium, a turpentine made from the resin of the Balsam fir tree used in oil painting to achieve a glow and encourage fusion. Dammar resin, Canada Balsam, Linseed stand oil and Double rectified turpentine Recommendation: Add 5-10% to neat oil colour as required Learn More -
Michael Harding Resin Oil Wax Medium
Starting at: £10.70
Resin Oil Wax Medium is a soft painting paste, derived from pure bleached beeswax then mixed with dammar resin and linseed stand oil. This popular medium creates a satin sheen and gentle impasto in paint layers. Settling of the medium may occur so allow the jar to stand in hot water and stir contents until dissolved. This is a light sensitive product – store in a cool dark place away from direct sunlight. Bleached Beeswax, Dammar Resin, Linseed stand oil and double rectified turpentine Recommendation: Add 5-10% to your near oil colours as required Learn More -
Michael Harding Damar Glaze Medium
Starting at: £10.50
Traditional glaze medium which includes a small portion of siccative to aid drying. It is designed to create gloss and depth within your oil paint layers. Made by dissolving dammar crystals into the finest Portuguese maritime turpentine which is then combined with stand oil. Dammar Glaze Medium is known for its speedy drying time of oil colours; use with slower-drying colours. Dammar resin, linseed stand oil, Double rectified turpentine and Cobalt Siccative 2% This is a light-sensitive product so store in a cool dark place Recommendation: Add 10-20% to neat oil colour as required Learn More -
Fredrix Archival Acrylic Primed Cotton Boards
Starting at: £11.30
Fredrix Archival Acrylic Primed Cotton Canvas Board is a professional grade, archival painting surface with medium texture Dixie 12oz cotton duck canvas mounted on an acid free board.
Acrylic primed 100% Cotton Rigid, non-warping hardboard core
For oil and acrylic paints
Acid free base board for long life
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Fredrix 550 Black Acrylic Primed Cotton Duck 57 in / 145 cm
£18.10 As low as: £14.50Fredrix 550 Black Primed Cotton This unusual medium weight cotton canvas is primed with an acrylic based black primer, ideal for the painter who doesn't want to start from a white base. Suitable for both oil and acrylic paints. Learn More -
Lascaux Studio Acrylic 85ml
Starting at: £13.10
Lascaux Studio Original is an artists’ quality acrylic paint. This exceptional quality acrylic is highly versatile and suitable for all painting techniques. The paint is highly pigmented, lightfast, non-ageing and non-yellowing with very good coating flexibility and water-resistant when dry. The colour range is optimised to give the same working qualities for each colour. So all colours have the same viscosity, opacity and dry to the same semi-gloss sheen. This uniform covering power is ideal for effortless creation of monochrome surfaces. There is also minimal colour shift from wet to dry.
MULTI-BUY DISCOUNT
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Buy any five tubs of 85ml Lascaux Studio Acrylic and get 10% discount. -
Golden Fluid Acrylic 30ml
Starting at: £9.10
Golden Fluid Acrylic 30ml -
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Equal the intensity of Golden Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying, staining techniques and many others. -
Roberson Glaze Medium Matt
Starting at: £9.50
Contains silica driers. May darken if cap is left off bottle. If this happens replace lid, leave overnight and the colour will be restored with no longterm ill effects. Learn More -
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Winsor & Newton Liquin Original
Starting at: £9.00
Liquin Original is an alkyd based semi gloss medium which speeds drying, improves flow and reduces brush stroke retention.
- Halves the drying time of conventional oil colour (touch dry in 1-6 days depending on colour & film thickness).
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- Resists yellowing.
- Not suitable as a varnish or final coat. -
Daniel Smith Watercolour 5ml Tubes
Starting at: £7.80
The 5ml range consists of 88 colours and includes some of the fabulous Primatek colours that are handmade with authentic mineral pigments and Quinacridones with their pure, intense colour combining the power of staining pigments with the luminosity of the transparents. They also have the more traditional favourites. Learn More -
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Gamblin Galkyd Lite Medium
Starting at: £16.50
Galkyd Lite thins oil colors and increases transparency and gloss. When used in moderation with oil colors, Galkyd Lite will retain brushstrokes. Galkyd Lite is more fluid and less glossy compared to Galkyd. Thin layers will be touch-dry in 24 to 30 hours. Learn More -
Gamblin Oil Colours 150ml
Starting at: £37.40
Robert Gamblin started making artists' oil paints in 1980. Since then he has built a reputation as both an innovative and imaginative maker of some of the best oils on the market today. As well as usual single pigment colours you would expect, the range also includes an interesting selection of neutral greys, beautiful metallics and the truly innovative Radiant range of pastel colours. Combining science and artistry, Gamblin paints are truly exceptional.
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