Search results for 'UV paints 0'

Painting applications and Murals. German manufactured universal primed 100% cotton duck, flame retardant to a very high specification suitable for painting on in oil or acrylic paint, as well as digital print. This material is designed to conform to the IMO standard for maritime flame retardancy. The canvas is quality controlled and does not contain any weaving or coating defects. 310gsm. Length of Full Roll: 25 meters.

Printing application with Solvent Based Inks. The coating is bright white and it can print very well with solvent, Eco-Solvent and UV curable inks. This canvas is widely used for point of sale display and fine art reproduction.

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Fredrix Polymural Panorama 1008 Canvasis a multi-purpose canvas made by Fredrix in the US. Much used for fine art painting and murals as well as large format wall decor, display signage and retail applications. This canvas is composed of a 100% polyester fibre that is durable and compatible with solvent and UV curable printers, as well as traditional paint media like oils and acrylics. Available in roll widths from 80” to 126” (2.03cm - 3.20cm). Sold per meter. Learn More

Golden's new Waterbourne Varnish replaces the old Golden Polymer Varnish. Waterbourne Varnish provides a protective layer that resists the retention of dirt and dust. It also contains Ultra Violet Light Stabilizers (UVLS) for protection against sunlight. To be used only on interior acrylic paintings and can be thinned and cleaned up with water. For external use Golden MSA varnish is recommended. Learn More

PRODUCT An Ultra Violet Pigment is a fluorescent dye that has been dissolved in resin, and then ground to a fine pigment. When exposed to ultra violet light these pigments fluoresce intensely. All the colours are visible under normal light, and are fluorescent in UV light except for Invisible Blue. This milky semi-transparent colour is almost invisible in normal light but glows pale blue under UV. USE The product is used extensively in nightclubs for special effects under UV light. Best results can obtained by painting onto a bright white surface. This allows the light to reflect back through the paint and increases the colour intensity. These pigments are not light-fast and as such are not suitable for fine art applications. RECIPE UV Powder can be mixed with most water-based media to produce fluorescent paint. 500 ml glaze mix 100 grams UV powder METHOD Mix UV powder to a paste with glaze mix. Thin out with the above proportion of glaze mix. If using concentrated emulsion glaze dilute 2 parts water to 1 part glaze to give the correct mix. Learn More

Golden's new Waterbourne Varnish replaces the old Golden Polymer Varnish. Waterbourne Varnish provides a protective layer that resists the retention of dirt and dust. It also contains Ultra Violet Light Stabilizers (UVLS) for protection against sunlight. To be used only on interior acrylic paintings and can be thinned and cleaned up with water. For external use Golden MSA varnish is recommended. Learn More

A quick-drying, non-yellowing, durable clear top coat. Applications: Seals, protects and enhances painted surfaces including wood, metal, plastics, ceramics and more. The perfect top coat for a lasting professional finish. Features: Provides a protective clear finish for long-lasting protection and durability. Fast-drying formula seals, protects and revitalises Available in gloss, semi-gloss and matt finishes Indoor / Outdoor UV-resistant Any-angle spray.

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Painting applications and Murals. German manufactured universal primed cotton duck, flame retardant to a very high specification. This material conforms to the IMO standard for maritime flame retardancy, whichmeans it can be used for murals and artwork on shipping. The canvas is quality controlled and does not contain any weaving or coating defects. 310gsm

Printing application with Solvent Based Inks. The coating is bright white and it can print very well with solvent, Eco-Solvent and UV curable inks. This canvas is widely used for point of sale display.

Learn More

Inkjet Canvas - Solvent-based Learn More

Daniel Smith Watercolour Ground creates a soft, absorbent watercolour surface with a slightly cottony texture that's similar to cold pressed paper. With this breakthrough archival quality ground, you can rescue flawed paintings, create new work on any surface, lift and scrub without damaging the painting surface.
For too long, the beautiful medium of watercolour has been confined to a paper-behind-glass niche. Now, with this exciting new ground, anything you’ve dreamed of painting with watercolour can become a reality. It’s easy to use—just brush it on—and incredibly versatile.
Buff Titanium is great for value studies and provides a gorgeous, classic-looking surface for work in neutral grays, earthy reds, black and white. Learn More

Daniel Smith Watercolour Ground creates a soft, absorbent watercolour surface with a slightly cottony texture that's similar to cold pressed paper. With this breakthrough archival quality ground, you can rescue flawed paintings, create new work on any surface, lift and scrub without damaging the painting surface.
For too long, the beautiful medium of watercolour has been confined to a paper-behind-glass niche. Now, with this exciting new ground, anything you’ve dreamed of painting with watercolour can become a reality. It’s easy to use—just brush it on—and incredibly versatile.
Titanium White, as well as turning any surface into Watercolor Paper, allows you to rescue areas within a painting done on Watercolor paper! It’s so easy to apply Ground over an area within a painting that needs rescuing—or for working on different compositional areas. You can also lift and scrub without damaging the painting surface. Learn More

Old Holland range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium we use for our oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

MULTI-BUY DISCOUNT
Buy any five tubes of 40ml Old Holland and get 5% discount.

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Old Holland range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium we use for our oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

MULTI-BUY DISCOUNT
Buy any five tubes of 60ml Old Holland  and get 5% discount.

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Old Holland range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium we use for our oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality. Learn More

Acrylic emulsion varnish with UV filters for acrylic paints. Learn More