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Items 91 to 105 of 127 total

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  1. Roberson Liquid Leaf 30ml

    Roberson Liquid Leaf 30ml

    Starting at: £12.40

    Roberson Liquid Leaf 30ml Learn More
  2. Golden Fluid Acrylic 30ml

    Golden Fluid Acrylic 30ml

    Starting at: £9.10

    Golden Fluid Acrylic 30ml -

    Equal the intensity of Golden Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying, staining techniques and many others.

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  3. Roberson Glaze Medium

    Roberson Glaze Medium

    Starting at: £8.90

    Mix with tube oils or pigment to improve flow and translucency. For thin glazes, fine detail and smooth brushwork. Turps, Damar Resin, Stand Oil and Cobalt Dryers. Learn More
  4. Roberson Stand Oil

    Roberson Stand Oil

    Starting at: £10.00

    Paler, more viscous oil than refined linseed oil. Slows drying. Gives tough elastic finish. Mix with turps or white spirit to help colour flow and reduce brushmarks. Learn More
  5. Roberson Impasto Medium

    Roberson Impasto Medium

    Starting at: £16.20

    A crack resistant medium for impasto effects. Retains palette knife & brush strokes. To retain colour strength mix 1 part medium to 1 part oil colour. Stand oil/Damar resin/Turpentine/Bleached Beeswax. Learn More
  6. Roberson Cold Pressed Linseed Oil

    Roberson Cold Pressed Linseed Oil

    Starting at: £7.00

    High quality, slightly yellow oil made in the USA. Extracted without the use of heat. Increases gloss and transparency and reduces brushmarks. Highly recommended for grinding pigments. Learn More
  7. Winsor & Newton Liquin Original

    Winsor & Newton Liquin Original

    Starting at: £9.00

    Liquin Original is an alkyd based semi gloss medium which speeds drying, improves flow and reduces brush stroke retention.

    - Halves the drying time of conventional oil colour (touch dry in 1-6 days depending on colour & film thickness).
    - Resists yellowing.
    - Not suitable as a varnish or final coat.

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  8. Daniel Smith Art Masking Fluid 30ml

    Daniel Smith Art Masking Fluid 30ml

    £9.20

    Daniel Smith Masking Fluid offers excellent coverage and easy-flowing application. If left on a painting for a week, a month, or more, it can still be removed cleanly from all watercolor surfaces with an eraser.
    Included are five fine-point tips that can be attached to the bottle and used as a drawing tool to make dots, fine lines, and to save details and highlights.
    Brush it on, or apply straight from the bottle. Off-white when wet, it dries to a transparent caramel color. Learn More
  9. Clearshield Inkjet Lacquer

    Clearshield Inkjet Lacquer

    Starting at: £63.48

    Exceptional product manufactured by Clearstar Coatings Corp and designed specifically for varnishing inkjet prints on canvas. This water-based lacquer will remain flexible and nonyellowing. It contains UV filters to protect the print from light damage, comes in three finishes and can be applied by brush, roller or spray. The 30° Satin finish is a very low gloss finish without the colour deadness associated with full mat lacquers. Clearshield Type C is for use on ‘water resistant’ type mat canvases printed with pigmented aqueous. For dye based inks use the AFA Aerosol or Printguard.

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  10. Gamvar Gloss

    Gamblin Gamvar Varnish

    Starting at: £15.20

    Gamvar Picture Varnish saturates colors in your painting and gives the painting a unified and protective surface.
    Developed in collaboration with the National Gallery of Art, Gamvar goes on water-clear, stays water-clear and can be easily and safely removed with Gamsol.
    Using Gamsol as its solvent, Gamvar is virtually odorless and ready to apply.
    Brush apply. Do not spray. All Gamvar can be applied when the thickest areas of your painting are thoroughly dry and firm to the touch.
    Please visit Gamblin's Video Demos page for additional information.

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  11. Gamblin Galkyd Lite Medium

    Gamblin Galkyd Lite Medium

    Starting at: £12.60

    Galkyd Lite thins oil colors and increases transparency and gloss. When used in moderation with oil colors, Galkyd Lite will retain brushstrokes. Galkyd Lite is more fluid and less glossy compared to Galkyd. Thin layers will be touch-dry in 24 to 30 hours. Learn More
  12. Gamblin GALKYD GEL  "G GEL"  150ml

    Gamblin GALKYD GEL "G GEL" 150ml

    £19.40

    Galkyd Gel is a stiffer gel compared to Neo Megilp that holds thicker, sharper brush-marks and dries more quickly. Galkyd Gel increases transparency of oil colours and creates impasto. Learn More
  13. Ampersand Gessoboard

    Ampersand Gessoboard

    Starting at: £5.10

    Gessobord™ - Suitable for acrylic, oil or casein paints. Learn More
  14. Zest-It Oil Paint Dilutant and Brush Cleaner

    Zest-It Oil Paint Dilutant and Brush Cleaner

    Starting at: £8.50

    Out of stock

    Zest-it Oil Paint Dilutant and Brush Cleaner is a solvent primarily for use by oil painters. It is made from an Aliphatic Hydrocarbon and pure food grade Citrus Oil. It has a neutral pH value and contains no CFCs or Aromatics and has low VOCs. It is a clear, colourless liquid which has a pleasant 'orangey citrus' smell, is inherently biodegradable and evaporates without leaving any residue.

    * WHILE STOCK LASTS* For similar products please refer to Gamblin Gamsol Mineral Sprit and Roberson Studio Safe Citrus Low Odour Solvent

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  15. Old Holland Oil 225ml

    Old Holland Oil 225ml

    Starting at: £35.90

    Old Holland range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium we use for our oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality. Learn More

Items 91 to 105 of 127 total

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