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Scenic Pigments Pots
Starting at: £8.00
Scenic pigments for scenic artists packed in clear screw top 500ml jars. The pigments are packed by volume, so weights vary from colour to colour. All these pigments can be mixed by hand. Learn More -
Gamblin Ground
Starting at: £29.70
Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Formulated from alkyd resin, titanium dioxide, and barium sulfate, Gamblin Ground makes canvas and linen stiffer than acrylic “gesso” and more flexible than traditional oil primers. Barium sulfate gives Gamblin Ground its tooth. Titanium dioxide gives Gamblin Ground its opacity. Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. More coats can be added for smoother painting surfaces. Because alkyd resin is used instead of linseed oil as the binder, Gamblin Ground is more flexible and dries more quickly than lead/linseed oil grounds. Lead/linseed oil grounds must dry for six months and Gamblin Ground is ready for paint application within a week. Learn More -
Daniel Smith Watercolour 5ml Tubes
Starting at: £7.80
The 5ml range consists of 88 colours and includes some of the fabulous Primatek colours that are handmade with authentic mineral pigments and Quinacridones with their pure, intense colour combining the power of staining pigments with the luminosity of the transparents. They also have the more traditional favourites. Learn More -
Daniel Smith Watercolour 15ml Tubes
Starting at: £14.40
DANIEL SMITH currently offers 245 different watercolours, with more in the works every year. The sheer range of possibility they offer is endless and unparalleled in the industry. Their amazing selection spans the spectrum from the historical, to natural earth and PrimaTek colours, to Quinacridones, the brightest and boldest colours modern technology has to offer. We stock a core range of 77 colours in the large 15ml tubes. Learn More -
Roberson Cold Pressed Linseed Oil
Starting at: £7.00
High quality, slightly yellow oil made in the USA. Extracted without the use of heat. Increases gloss and transparency and reduces brushmarks. Highly recommended for grinding pigments. Learn More -
Golden Fluid Acrylic 30ml
Starting at: £9.10
Golden Fluid Acrylic 30ml -
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Equal the intensity of Golden Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying, staining techniques and many others. -
Roberson Liquid Metals 2.5L
Starting at: £137.40
Acrylic based paint manufactured from the Metallic Lustre Pigments to an exceptionally high specification. These paints give a rich and brilliant metallic colours and will not tarnish. The colours are inter mixable and will adhere well to most surfaces including plaster, wood, canvas, paper etc. For spray application use HVLP (High Volume Low Pressure) spray gun with 1.6 or 1.8 mm nozzle. Thin the paint with 25/30 % water. Learn More -
Roberson Solid Metal Sticks
Starting at: £14.90
Out of stock
Artists' quality metallic oil paint sticks for painting & drawing. Non-tarnishing and highly pigmented, these soft paint sticks are made with an unique mix of mica pigments, oils and waxes which generate a solid metal effect. Easy to use alongside regular oil paint. Blend and shade the colours together to make further shades. Treat as oil paint for surface preparation and clean-up. Learn More -
Ampersand Clayboard
Starting at: £3.00
Out of stock
Museum Series Claybord™ is made using 1/8" true artist hardboard and features Ampersand’s simply amazing kaolin clay ground formula similar in paintability to the clay gesso grounds used during the Renaissance. The surface is sanded to an ULTRA-smooth, highly absorbent finish so your paint colors remain true and brilliant. Work the surface by thinly applying paint or ink, then remove it, reapply it, even scratch through it to add contrast, texture and fine details. Claybord is a favorite of both fine and graphic artists. Only Ampersand builds their cradles by hand with premium grade 13-ply birch plywood for maximum stability and a clean, finished look from edge to edge. Choose from 3/4", 1.5" and 2" Deep, all made in the USA. WHILE STOCK LASTS
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Watercolour Ground Transparent 4oz
£11.00Out of stock
Daniel Smith Watercolour Ground creates a soft, absorbent watercolour surface with a slightly cottony texture that's similar to cold pressed paper. With this breakthrough archival quality ground, you can rescue flawed paintings, create new work on any surface, lift and scrub without damaging the painting surface.
For too long, the beautiful medium of watercolour has been confined to a paper-behind-glass niche. Now, with this exciting new ground, anything you’ve dreamed of painting with watercolour can become a reality. It’s easy to use—just brush it on—and incredibly versatile.
Transparent Watercolour Ground, lets patterns shine through. Maintain the grain of wood panels or the colours and textures of decorative paper, fabrics or found objects as you enhance them with watercolour paint and mixed media materials. You get a protective coat for your substrate along with pigment-gripping tooth. You can also lift and scrub without damaging the painting surface. Learn More -
Rosco Flamex PA Flame Retardant Additive 237 ml
£20.50Out of stock
Flamex PA is a clear, un-pigmented additive for creating a flame retardant paint layer. Add one full jar of Flamex PA to a US gallon (3.79L) of water based paint to make your paint coating flame retardant. Flamex PA is compatible in most latex or vinyl acrylic paints but always test with your specific paint choice. Do not use Flamex PA with metallic paints as the metal pigments may react and tarnish or corrode. Flamex PA does NOT alter the flammability of the substrate being painted but only adds a retardant treatment that slows the spread of fire along the surface. Rosco Flamex PA has been pre-measured and should be added to a single US Gallon (3.78L) of paint. Once combined, the paint/Flamex mixture can be diluted as desired but the dry paint film must be no less than 4 mil in thickness. The effectiveness of a fire retardant barrier is dependent on both the fire retardant additive and the thickness of the coating. Flamex PA is not intended to be used in place of other flame retardant products. Where possible, always treat the substrate material using the appropriate flame retardant. Learn More -
Golden Heavy Bodied Acrylic Hand Painted Colour Chart
£2.40Out of stock
The first acrylic colors offered by Golden Acrylic, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Learn More -
Golden Introductory Fluid Acrylic Set of 10 x 30ml Pots
£64.90Out of stock
Golden Fluid Acrylics are intense, permanent acrylic paints produced from lightfast pigments instead of dyes. With the consistency of heavy cream, they offer strong colours with no fillers or extenders. The set contains the following 10 Fluid Colours: Titanium White, Benzimidazolone Yellow Medium, Yellow Oxide, Pyrrole Red, Quinacridone Magenta, Ultramarine Blue, Phthalo Blue (Green Shade), Phthalo Green (Blue Shade), Burnt Sienna, Carbon Black and Fluid Application Guide. Learn More -
Gamblin Reclaimed Earth Oil Tube Set Limited Edition
£48.80Out of stock
Limited Edition Artists Oil Paint 37ml Tubes: Brown Ochre, Rust Red, Iron Violet, made from pigments reclaimed from polluted US rivers.
For over a decade, artist John Sabraw, engineer Guy Riefler, environmentalist Michelle Shively, and a team of students at Ohio University were trying to develop a sustainable solution to the problem of pollution from mining run-off in the Ohio and Mississippi rivers. They came up with a process that separated out the iron oxides from river water to make a light-fast and safe artists' pigment. The pigment is heated to various temperatures to achieve each colour.
As a paint manufacturer that promises to be kind to artists and the environment, turning this pigment into paint was something Gamblin felt both compelled and honoured to do. Gamblin is also giving 20% of set sales back to the cause. Purchasing this set not only benefits the project financially, but it literally and directly creates a demand for the pigment and a demand for clean rivers.
Gamblin also designed this set without plastic shrink-wrap. The sleeve and insert are recyclable, and the structure of the packaging has a function; it’s a primed panel made in Oregon by American Easel. It’s the ideal painting surface made with U.S.-grown poplar sides and a Baltic birch face.
Read the full story here.
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