Search results for 'pigments and x y'

WHILE STOCK LASTS Fredrix Accent 575WR Weight: 327gsm Thickness: 425 microns Composition: 35% cotton, 65% polyester Weave Construction: 1:1 Finish: Natural White Texture: Medium texture Water Resistant Roll widths 17" - 60" (42cm - 1.52cm) Applications: Reproductions, Giclee, Photography. Learn More

Lascaux Studio Original is an artists’ quality acrylic paint. This exceptional quality acrylic is highly versatile and suitable for all painting techniques. The paint is highly pigmented, lightfast, non-ageing and non-yellowing with very good coating flexibility and water-resistant when dry. The colour range is optimised to give the same working qualities for each colour. So all colours have the same viscosity, opacity and dry to the same semi-gloss sheen. This uniform covering power is ideal for effortless creation of monochrome surfaces. There is also minimal colour shift from wet to dry.

MULTI-BUY DISCOUNT
Buy any five tubs of 250ml Lascaux Studio Acrylic and get 10% discount.

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Lascaux Studio Original is an artists’ quality acrylic paint. This exceptional quality acrylic is highly versatile and suitable for all painting techniques. The paint is highly pigmented, lightfast, non-ageing and non-yellowing with very good coating flexibility and water-resistant when dry. The colour range is optimised to give the same working qualities for each colour. So all colours have the same viscosity, opacity and dry to the same semi-gloss sheen. This uniform covering power is ideal for effortless creation of monochrome surfaces. There is also minimal colour shift from wet to dry. Learn More

Lascaux Studio Original is an artists’ quality acrylic paint. This exceptional quality acrylic is highly versatile and suitable for all painting techniques. The paint is highly pigmented, lightfast, non-ageing and non-yellowing with very good coating flexibility and water-resistant when dry. The colour range is optimised to give the same working qualities for each colour. So all colours have the same viscosity, opacity and dry to the same semi-gloss sheen. This uniform covering power is ideal for effortless creation of monochrome surfaces. There is also minimal colour shift from wet to dry. Learn More

Extremely soft, highly pigmented oil bars with excellent handling properties. Compatible with conventional oils and mediums. Handmade using only pure natural waxes, linseed oil and pigment. Learn More

Extremely soft, highly pigmented oil bars with excellent handling properties. Compatible with conventional oils and mediums. Handmade using only pure natural waxes, linseed oil and pigment. Learn More

Fredrix Crystal 901VWR Weight: 380gsm Thickness: 457 microns Composition: 35% cotton, 65% polyester Weave Construction: 2:1 Finish: Bright White Texture: Medium Water Resistant Roll widths 17" - 60" (42cm - 1.52cm) Applications: Fine Art Reproductions, Giclee, Photography. Learn More

Robert Gamblin started making artists' oil paints in 1980. Since then he has built a reputation as both an innovative and imaginative maker of some of the best oils on the market today. As well as usual single pigment colours you would expect, the range also includes an interesting selection of neutral greys, beautiful metallics and the truly innovative Radiant range of pastel colours. Combining science and artistry, Gamblin paints are truly exceptional.

MULTI-BUY DISCOUNT
Buy any five tubes of 37ml Gamblin Oils and get 10% discount.

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Robert Gamblin started making artists' oil paints in 1980. Since then he has built a reputation as both an innovative and imaginative maker of some of the best oils on the market today. As well as usual single pigment colours you would expect, the range also includes an interesting selection of neutral greys, beautiful metallics and the truly innovative Radiant range of pastel colours. Combining science and artistry, Gamblin paints are truly exceptional.

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Inkjet Canvas - Water-based Learn More

Exceptional product manufactured by Clearstar Coatings Corp and designed specifically for varnishing inkjet prints on canvas. This water-based lacquer will remain flexible and nonyellowing. It contains UV filters to protect the print from light damage, comes in three finishes and can be applied by brush, roller or spray. The 30° Satin finish is a very low gloss finish without the colour deadness associated with full mat lacquers. Clearshield Type C is for use on ‘water resistant’ type mat canvases printed with pigmented aqueous. For dye based inks use the AFA Aerosol or Printguard.

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Daniel Smith Watercolour Ground creates a soft, absorbent watercolour surface with a slightly cottony texture that's similar to cold pressed paper. With this breakthrough archival quality ground, you can rescue flawed paintings, create new work on any surface, lift and scrub without damaging the painting surface.
For too long, the beautiful medium of watercolour has been confined to a paper-behind-glass niche. Now, with this exciting new ground, anything you’ve dreamed of painting with watercolour can become a reality. It’s easy to use—just brush it on—and incredibly versatile.
Buff Titanium is great for value studies and provides a gorgeous, classic-looking surface for work in neutral grays, earthy reds, black and white. Learn More

Daniel Smith Watercolour Ground creates a soft, absorbent watercolour surface with a slightly cottony texture that's similar to cold pressed paper. With this breakthrough archival quality ground, you can rescue flawed paintings, create new work on any surface, lift and scrub without damaging the painting surface.
For too long, the beautiful medium of watercolour has been confined to a paper-behind-glass niche. Now, with this exciting new ground, anything you’ve dreamed of painting with watercolour can become a reality. It’s easy to use—just brush it on—and incredibly versatile.
Mars Black makes our Luminescent Watercolors “pop” and also provides an exciting, unexpected background for all your standard watercolour paints. Soft pastels, graphite and watercolour pencils show up beautifully on both the buff and black. Learn More

Daniel Smith Watercolour Ground creates a soft, absorbent watercolour surface with a slightly cottony texture that's similar to cold pressed paper. With this breakthrough archival quality ground, you can rescue flawed paintings, create new work on any surface, lift and scrub without damaging the painting surface.
For too long, the beautiful medium of watercolour has been confined to a paper-behind-glass niche. Now, with this exciting new ground, anything you’ve dreamed of painting with watercolour can become a reality. It’s easy to use—just brush it on—and incredibly versatile.
Titanium White, as well as turning any surface into Watercolor Paper, allows you to rescue areas within a painting done on Watercolor paper! It’s so easy to apply Ground over an area within a painting that needs rescuing—or for working on different compositional areas. You can also lift and scrub without damaging the painting surface. Learn More