Search results for: 'PIGMENT'

Michael Harding Oil Paint Medium

Starting at: £9.10

Designed to increase the flow of your oil paints. This paint medium will also increase the gloss and transparency of your colours which will add to the depth and beauty of your pigment colour. The inclusion of Linseed stand oil in the recipe of this oil based medium prevents the “yellowing” of your paint film.

This medium is a linseed stand oil, turpentine, formulation that prevents yellowing of paint film.

Recommendation: Add 10-20% to your oil colour as you require

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Michael Harding Oleo Impasto Medium

Starting at: £9.10

Oleo Impasto Medium is a gel made from fumed silica and linseed oil which imparts great luminosity, particularly with transparent colours. It has an average drying speed and increases the transparency of oil colours. Pigment can be added and ground to make your own oil paints. It has a pleasant linseed oil smell It can be added with a brush or knife, in varying amounts, to achieve extra body. Learn More

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Michael Harding Artists' Watercolour 15ml

Starting at: £13.70

Michael Harding's new range of Professional Watercolours are formulated with the highest pigment concentration possible. A comprehensive range of 136 colours, including historical colours such as Lapis Lazuli and Rose Madder. These watercolours have impressive colour strength, vibrancy, clarity, and longevity. Learn More

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Lascaux Transparent Gesso 2021

Starting at: £30.40

This pigment-free gesso dries to a perfectly clear surface and is particularly suitable for glazing techniques. Learn More

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Michael Harding Oil Paint Miracle Medium

Starting at: £12.60

Oil paint medium designed to ease flow and increase gloss, transparency, depth and beauty of the pigment colour. This medium is made using Michael Harding linseed stand oil and Miracle Medium™ formulation. Solvent free. Learn More

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Rosco Flamex PA Flame Retardant Additive 237 ml

£20.50

Out of stock

Flamex PA is a clear, un-pigmented additive for creating a flame retardant paint layer. Add one full jar of Flamex PA to a US gallon (3.79L) of water based paint to make your paint coating flame retardant. Flamex PA is compatible in most latex or vinyl acrylic paints but always test with your specific paint choice. Do not use Flamex PA with metallic paints as the metal pigments may react and tarnish or corrode. Flamex PA does NOT alter the flammability of the substrate being painted but only adds a retardant treatment that slows the spread of fire along the surface. Rosco Flamex PA has been pre-measured and should be added to a single US Gallon (3.78L) of paint. Once combined, the paint/Flamex mixture can be diluted as desired but the dry paint film must be no less than 4 mil in thickness. The effectiveness of a fire retardant barrier is dependent on both the fire retardant additive and the thickness of the coating. Flamex PA is not intended to be used in place of other flame retardant products. Where possible, always treat the substrate material using the appropriate flame retardant. Learn More

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Golden Heavy Bodied Acrylic Hand Painted Colour Chart

£2.40

Out of stock

The first acrylic colors offered by Golden Acrylic, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Learn More

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Golden Professional Fluid Acrylic Set of 10 x 30ml

£69.50

Out of stock

Golden Fluid Acrylics are intense, permanent acrylic paints produced from lightfast pigments instead of dyes. With the consistency of heavy cream, they offer strong colours with no fillers or extenders. The set contains the following 10 Fluid Colours: Titanium White, Benzimidazolone Yellow Medium, Yellow Oxide, Pyrrole Red, Quinacridone Magenta, Ultramarine Blue, Phthalo Blue (Green Shade), Phthalo Green (Blue Shade), Burnt Sienna, Carbon Black and Fluid Application Guide. Learn More

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Ampersand Clayboard

Starting at: £3.00

Out of stock

Museum Series Claybord™ is made using 1/8" true artist hardboard and features Ampersand’s simply amazing kaolin clay ground formula similar in paintability to the clay gesso grounds used during the Renaissance. The surface is sanded to an ULTRA-smooth, highly absorbent finish so your paint colors remain true and brilliant. Work the surface by thinly applying paint or ink, then remove it, reapply it, even scratch through it to add contrast, texture and fine details. Claybord is a favorite of both fine and graphic artists. Only Ampersand builds their cradles by hand with premium grade 13-ply birch plywood for maximum stability and a clean, finished look from edge to edge. Choose from 3/4", 1.5" and 2" Deep, all made in the USA. WHILE STOCK LASTS

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Watercolour Ground Transparent 4oz

£11.00

Out of stock

Daniel Smith Watercolour Ground creates a soft, absorbent watercolour surface with a slightly cottony texture that's similar to cold pressed paper. With this breakthrough archival quality ground, you can rescue flawed paintings, create new work on any surface, lift and scrub without damaging the painting surface.
For too long, the beautiful medium of watercolour has been confined to a paper-behind-glass niche. Now, with this exciting new ground, anything you’ve dreamed of painting with watercolour can become a reality. It’s easy to use—just brush it on—and incredibly versatile.
Transparent Watercolour Ground, lets patterns shine through. Maintain the grain of wood panels or the colours and textures of decorative paper, fabrics or found objects as you enhance them with watercolour paint and mixed media materials. You get a protective coat for your substrate along with pigment-gripping tooth. You can also lift and scrub without damaging the painting surface. Learn More

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Gamblin Reclaimed Earth Oil Tube Set Limited Edition

£42.90

Out of stock

Limited Edition Artists Oil Paint 37ml Tubes: Brown Ochre, Rust Red, Iron Violet, made from pigments reclaimed from polluted US rivers.

For over a decade, artist John Sabraw, engineer Guy Riefler, environmentalist Michelle Shively, and a team of students at Ohio University were trying to develop a sustainable solution to the problem of pollution from mining run-off in the Ohio and Mississippi rivers. They came up with a process that separated out the iron oxides from river water to make a light-fast and safe artists' pigment. The pigment is heated to various temperatures to achieve each colour.

As a paint manufacturer that promises to be kind to artists and the environment, turning this pigment into paint was something Gamblin felt both compelled and honoured to do. Gamblin is also giving 20% of set sales back to the cause. Purchasing this set not only benefits the project financially, but it literally and directly creates a demand for the pigment and a demand for clean rivers.

Gamblin also designed this set without plastic shrink-wrap. The sleeve and insert are recyclable, and the structure of the packaging has a function; it’s a primed panel made in Oregon by American Easel. It’s the ideal painting surface made with U.S.-grown poplar sides and a Baltic birch face.

Read the full story here.

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Search results for 'PIGMENT'