Search results for 'PIGMENT'

WHILE STOCK LASTS Fredrix Accent 575WR Weight: 327gsm Thickness: 425 microns Composition: 35% cotton, 65% polyester Weave Construction: 1:1 Finish: Natural White Texture: Medium texture Water Resistant Roll widths 17" - 60" (42cm - 1.52cm) Applications: Reproductions, Giclee, Photography. Learn More

The first acrylic colors offered by Golden Acrylic, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added.

MULTI-BUY DISCOUNT
Buy any five tubes of 60ml Golden Acrylic Heavy  and get 10% discount.

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Golden Fluid Acrylic 118ml -

Equal the intensity of Golden Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying, staining techniques and many others.

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Golden Fluid Acrylic 237ml -

Equal the intensity of Golden Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying, staining techniques and many others.

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Golden Fluid Acrylic 473ml -

Equal the intensity of Golden Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying, staining techniques and many others.

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Golden Fluid Acrylic 946ml -

Equal the intensity of Golden Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying, staining techniques and many others.

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Golden Fluid Acrylic 3.78L -

Equal the intensity of Golden Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying, staining techniques and many others.

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Old Holland range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium we use for our oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

MULTI-BUY DISCOUNT
Buy any five tubes of 40ml Old Holland and get 5% discount.

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Old Holland range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium we use for our oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

MULTI-BUY DISCOUNT
Buy any five tubes of 60ml Old Holland  and get 5% discount.

Learn More

Old Holland range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium we use for our oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality. Learn More

Extremely soft, highly pigmented oil bars with excellent handling properties. Compatible with conventional oils and mediums. Handmade using only pure natural waxes, linseed oil and pigment. Learn More

Extremely soft, highly pigmented oil bars with excellent handling properties. Compatible with conventional oils and mediums. Handmade using only pure natural waxes, linseed oil and pigment. Learn More

Pearl and Metallic Lustre Pigments are made from mica flakes, coated with titanium and iron oxides. Unlike Bronze Powders, which are made from metal powder, they can be mixed with any medium, including water-based, are non toxic and totally lightfast. They are impervious to acids, alkalis, water and temperatures up to 800°. No top-coat is need, as they do not tarnish. It is possible to achieve a wide of effects by coating over other colours, and Pearl Lustres are most effective used over a dark base coat. Learn More

Pearl and Metallic Lustre Pigments are made from mica flakes, coated with titanium and iron oxides. Unlike Bronze Powders, which are made from metal powder, they can be mixed with any medium, including water-based, are non toxic and totally lightfast. They are impervious to acids, alkalis, water and temperatures up to 800°. No top-coat is need, as they do not tarnish. It is possible to achieve a wide of effects by coating over other colours, and Pearl Lustres are most effective used over a dark base coat. Learn More